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Bakbakan International

SUMMARY

ABOUT THE AUTHOR

TABLE OF CONTENTS

EXCERPT

TO ORDER

 

REYNALDO S. GALANG

Table of Contents :

Foreword  
Charles N. Ricketts 9
Mark V. Wiley 10
Kelly S. Worden 12
Conrado N. Rigor Jr. 14
Luis Cruz 16
   
Introduction  
Reynaldo S. Galang 18
Placido Yambo 21
   
Acknowledgement 22
   
Profile  
Placido Yambao 23
Buenaventura Mirafuente 24
Luis Cruz 25
Juan Aclan 26
Francisco de la Cruz 27
Reynaldo S. Galang 28
   
A Brief History of Arnis 35
   
The Art of Weaponry 36
   
Strikes and Thrusts (Alpabeto) of the Sword 37
Tagang Buhat Araw(Overhead Strike) 38
Aldabis sa Ilalim (Inside Upward Diagonal Strike) 40
Aldabis sa Itaas (Inside Downward Diagonal Strike) 42
Haklis (Scooping Strike) 44
Sablay (Low Scooping Strike) 46
Tagang San Miguel (Outside Downward Diagonal Strike) 48
Saboy (Outside Upward Diagonal Strike) 50
Tabas-Talahib (Outside Horizontal Strike) 52
Tagang Alanganin (Inside Middle/Horizontal Strike) 54
Bunot Kaluban (Drawing of the Sword) 56
Hulipas (Inside Transition Strike) 58
Bartikal (Backhand/Whip Strike) 60
Tigpas (Inside Low Diagonal Upward Strike) 62
Saksak sa gawing Kaliwa (Inside Sword Thrust) 64
Saksak sa gawing Kanan (Outside Sword Thrust) 65
Bulusok ng Dalawang Kamay (Double Decending/Avalanche Thrust) 66
Techniques of the Dagger 67
Lagusan (Tunnel Thrust) 68
Ang Makata (The Poet) 69
Sima-Tulay (Scythe Parry and Thrust) 70
Tusok-Fraile (Friar's Thrust) 71
   
The Foundation Drills (Mga Abakada) 73
Strikes and Blocks 1  
Blg. 1 - Taga at Sangga sa Abakada ng Limang Taga 75
Strikes and Blocks 2  
Blg. 2 - Taga at Sangga sa Abakada ng Limang Taga 81
Strikes and Blocks 3  
Blg. 3 - Taga at Sangga sa Abakada ng Limang Taga 87
Strikes and Blocks 4  
Blg. 4 - Taga at Sangga sa Abakada ng Apat na Taga 95
Strikes and Blocks 5  
Blg. 5 - Taga at Sangga sa Abakada ng Anim na Taga 101
Strikes and Blocks 6  
Blg. 6 - Taga at Sangga sa Abakada ng Apat nab Taga 107
Strikes and Blocks 7  
Blg. 7 - Taga at Sangga sa Abakada ng Pitong Taga 113
Strikes and Blocks 8  
Blg. 8 - Taga at sangga sa Abakada ng Labindalawang Taga 119
Strikes and Blocks 9  
Blg. 9 - Taga at Sangga Sa Abakada ng Siyam na Taga 129
Strikes and Blocks 10  
Blg. 10 - Taga at Sangga sa Abakada ng Sampung Taga 137
   
Dimasupil 143
Featured Sinawali Technigues 155
Bulalakaw (The Comet/Meteor) 156
Putakti (The Hornet) 158
Lagusan (Tunnel Thrust) 160
Redonda Salok-Saboy (Reverse Whirlwind Strikes) 162
Salikop-Pana (Augmented Block with the Archer) 164
Ang Tanod (The Sentry) 166
Kalasag/Palis-Tusok (Shield/Parry and Thrust) 168
Pluma, Bagsak (Pen/Wing/Outside Roof Block and Strike) 170
Sima-TTulay, Makata (Scythe Parry and Thrust, The Poet) 172
Fraile, Nakaw-Tusok (Friar's Blessing, Inside/Covert Thrust) 174
Salikop - Makata (Augmented Block with the Poet) 176
Salikop, Sumbrada - Sungkite  
(Augmented Block with Roof Block and Thrust)
178
Salibas - Salisok (Inward - Outward Circles) 180
Glossary 182

 

Excerpt:

Introduction

For nearly half a century, the work of Placido Yambao has interested and intrigued Filipino Martial Arts (FMA) aficionados all over the world. Yambao's book was the first widely released documentation of a popular and, at the same time, obscure art. The book was the primary reference used by many FMA authors for details on the history of arnis.

Placido Yambao and his colleagues, in their own way, were able to preserve the priceless legacy of the Warrior Arts of the Philippines. Despite the haphazard illustrations and notations used in the original book as well as the classic and archaic language and phraseology, the manuscript managed to safeguard the art's many overt and hidden treasures. Taking advantage of this book, unscrupulous writers have blatantly ransacked Placido Yambao's work while making specious claims of ownership and originality.

With the publication of this book, we hope to clarify and credit the true origin and seed of this plundered knowledge. The reader will discover familiar terms whose origin and exclusive ownership have been ambiguously claimed by other FMA systems. Yambao and his colleagues were unselfishly focused on documenting the art, as it was practiced in their days, and in sharing it with the general public. They liberally shared this generous legacy with the Filipino people and the martial arts world.

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